aetherograph: Courage the Cowardly Dog typing frantically, a worried look on his face. (Default)
When you're familiar with a few elements contributing to the problem, the way Techbros talk about AI starts to make sense. But you have to know what's contributing.

1. The sorry state of schooling


So this is one that a lot of people are familiar with, because most people went to public school and witnessed first-hand the horror of it. But I'm not just talking about public school; I'm talking about pedagogy, which is the word for what method you use to teach students. With one exception, all pedagogy is based in religion or other non-scientific worldviews. I like to call this the "world of should". The world SHOULD work like x, people SHOULD work like y. Well they don't. The "teacher lectures, you take notes" model has remained unchanged for thousands of years--despite huge developments in the fields of psychology, child psychology, paediatric and adolescent health, and other fields that you'd THINK would be relevant to pedagogy as they are about how people, including children, learn.

What's the exception? Montessori. Dr Montessori used evidence-based science to design her curriculum, and developed and improved it using more and more of that throughout her life; after her death, the schools for teachers and the associations that use her methods improved on them more using the same evidence-based science. There were still other schools that didn't use her entire method, only taking bits and pieces--those schools, like Waldorf for example, often try to associate themselves with Montessori, but they are not accredited and do not have the same rigorous training given to Montessori teachers, nor do they base their pedagogy on evidence-based science. They just use different, newer religious beliefs to fuel their pedagogy--usually New Age type stuff.

If you've never BEEN to a Montessori school, you don't understand the difference here. If you were raised inside a religion, you do not understand the difference here. Montessori centres the child, and puts into praxis the concept of children having human rights and being full persons from birth, and Dr Montessori advocated for children's rights for her entire life, making it a part of her address to the first meeting of UNESCO. Though a Declaration on the Rights of the Child had been approved by the League of Nations in 1924, and was even displayed in every school in France, it didn't change the way children were educated. Dr Montessori started her career being given the class of disabled children that the school she worked for had given up on--this was not a woman who started her career with children that everybody found easy to teach or even love, but with those of us who are even now often given up on, abandoned, and forgotten in institutions. She started with us, disabled kids. Special needs kids. Montessori is ENTIRELY based on what works for EVERYONE.

And what is that? Well, play. Showing children how stuff works with models they can touch and manipulate and interact with. Cooperation. Mixed age groups. Peers being allowed and encouraged to teach peers or youngers (or olders!). Teachers not being authoritarian figures but helpers who encourage children to have their own opinions and ideas. Children taking care of their own classroom together by sharing chores they are taught how to do.

You are taught how to do EVERYTHING, in Montessori--and if you're struggling, you can ask for help and get it! There is no homework, you do things in the classroom where there's a teacher available or a friend to help you if you need it. There is a great value placed on teaching children how to be persons over teaching x amount of math and testing. So, you learn not just what you're learning, but also how to teach and explain it to other people, and that you have a right to get help and that your fellow people in this world are friends to work with, not enemies to compete with. You are given enough support that you can struggle but also get help, and know the reward of finally grasping a new thing.

You learn, in a word, how to be human.

Contrast this with the way we encourage competition from birth in other schooling, we punish children for deviating from the lesson plan, we punish them for falling behind, we punish them for speaking, we punish them for having the wrong answer, for asking for help, for not knowing, for knowing too much, for questioning, for exploring. We punish, punish, punish! It seems the thing a shocking number of adults hate more than anything in the whole world is children. Is it any wonder that Matilda is such a favourite book?

We also teach them that other people are enemies. We do this by separating age groups strictly, having grades, large classroom sizes, and most work being done at home; and punishing children for trying to help one another in the classroom. We also treat abuse as a separate totally fine thing when kids do it to other kids. We have a word for it and everything: bullying.

Children do not learn how to learn. They don't learn how to teach, or explain what they know. They don't learn that other people know things they don't, or have experiences they don't, that their experience and perception isn't universal. They don't learn the reward of learning or getting better at something after struggle.

2. Devaluation of the Arts and Absence of Public Art in most of the US.


Take a look at a photograph of Paris or Florence or Mexico City. Right away you'll notice there's a fuckload of art everywhere, from street performers to statues and architecture. Now look at the average US city. Nothing. The buildings don't even have ornaments, most places. It's just boxes and signs and advertisements--which don't contain art anymore. Sure, some cities have one big piece that's famous--the Bean for example, or the Arch, or the Bridge or something like that. But these are huge structures in a desert of boxes and ads. But it goes farther than that, that's only a symptom of the problem.

We don't value art, in this country. We don't think art is important. For all the entertainment we make, it's just that--entertainment. It's made by people only interested in making money, rather than being made to say something, or to decorate something, the way that Art is. You can see Art happen despite these mercenary goals, but that art has a huge price tag--I recently went to see a touring broadway show, and it cost me $400 and driving about 2 hours. That art is not available to everyone, and as progressive as Broadway is in comparison to Hollywood, it's not nearly as accessible as movies. And while community theatres exist in MOST communities, they are poorly funded and not well-patroned. People just don't go see a play on a saturday night the way they see a movie. We don't give the arts funding, we have been drumming STEM STEM STEM into kids heads for a couple decades now, all while media has gotten easier and easier to not pay for, making it seem like it costs nothing to make.

If you aren't taught what art IS and the history of humans making art, and the reason humans make art, you're not going to know any of that. If you aren't given opportunity and instruction on how to make your own art, you will never know how much effort and skill it takes to make art either, and will have no sense of context, no ability to analyse, no ability to engage with art in a way that values it. With how art is simply not taught at all, kids are limited to whatever they pick up from the world around them. Sometimes they get lucky, and live in one of the few places in the country that has a lot of art, or they have parents that value art and know to show them art and talk with them about it; but leaving it up the chance means a lot of kids are stuck growing up in ugly places devoid of not just art but natural beauty.

3. Zero psychological education for the masses.


Do you know what therapy actually does? No really, do you know what a therapist is supposed to do for you? None of us really get told what it is we're supposed to expect from therapy, and that means we have very little idea of how to tell a good therapist from a bad one.

Therapy is a class to teach you about how brains work and teach you skills for how to manage your thoughts and emotions. That's it. It's a class. A therapist is a teacher. And most of those skills and ideas are those that we can only access if we go to therapy, even though they're skills that we need to navigate life.

One of these ideas that most people do not have is called Theory of Mind. Theory of Mind is the idea that your experience of reality is not universal, that YOU are different from OTHER PEOPLE. That YOU know things OTHER PEOPLE do not, and OTHER PEOPLE know things YOU do not. Other people may be feelings things YOU are not. YOU may be feeling things other people do not. Etc etc. It's the first thing the therapist has to teach most people.

This is just one of many, many things that people should be taught from birth, other examples being: how to de-escalate, how to understand emotions, dealing with trauma, advocating for one's rights, understanding boundaries, communicating clearly with words and body language, and on and on. Things that we are ONLY taught if we go to a therapist, which is often behind layers of barriers such as money, time, and shame.

4. We do not value play, fun, or hobbies.


Do you have a hobby? Most people my age and younger will say they don't have the time, or will say they like "watching movies" or "listening to music" or "hanging out with friends". These are not hobbies. A hobby, to quote Bob Ross, is an applied interest. A hobby is something that requires some amount of skill-building, such as knitting, making model planes, or playing the guitar. Most hobbies are some form of creative skill, or employ creative skills in combination with social activity (such as the SCA, Camping, or playing soccer).

Having a hobby requires time and money, which most people no longer have; even kids from rich families do not have time in a lot of cases, because kids have been pressured more and more academically and have been burdened with more and more homework as years have gone on. I hear now that it's getting to where kids are given so much, in some places, that it is not humanly possible for them to get it all done and still get even one hour of sleep. And most adults are working 2 and 3 jobs just to barely scrape the rent and car payments together, if that. "Nobody has time for hobbies" is seen as sad, but not catastrophic--after all, hobbies don't teach you anything useful.

Well, they do. They teach you to practise a skill and show you the reward of getting better at something that is hard to get good at. They teach you the value of struggling through being bad at things, and how in order to get good at something, you have to enjoy the process of doing it, not being good at it but just doing it at all, whether you're bad OR good. They're very good for stress and I would argue they're a form of play, they often create art, and play and art are the whole point of being in a society.

5. Toxic Masculinity


Men are denied friendship. Friendship requires vulnerability, and men are not allowed to be vulnerable, that's sissy stuff. So men don't have friends, and they don't know how to make them, and they don't tell the friends they have that they consider that person a friend, and they don't know how to maintain relationships, and on and on and on. Men are not given affection past a certain age, because 'you're a man now'. Men are not allowed to cry past a certain age, because 'you're a man now' and so on. This results in men who are socially malnourished and starving for any form of affection, because they're told the ONLY person they can ask for affection from is a sexual partner and that the ONLY form of affection they are allowed to have is sexual gratification. And then we throw them a further restriction that they're ONLY allowed to have ONE partner.

And then they just create feedback loops that reinforce all of this. But if you isolate someone like that, and malnourish them, they're gonna get really fucking hostile and unstable. Like REALLY unstable. And they're gonna have some pretty weird ways of interacting with other people, that are very aggressive, hostile, and miserable. This also means that any social mileu dominated by men is going to reinforce this toxic masculinity. Places like, say, tech, which is dominated by not just men, but men who have been told they are failures of masculinity.


Ok, let's review.

The way we teach children and what we DON'T teach them, the devaluing and non-presence of art, and the lack of interpersonal and behavioural skills results in an inability to understand:

1. That your experiences--all of them--are not universal.
2. That in order to learn something, most people need it taught to them--this includes explaining the concept multiple ways, using metaphors or similes, models, diagrams, and patience to walk someone through something you already know all these different ways.
3. That there is value in enjoying the process of doing something, even if you aren't very good at it, and there is value in persisting to practise that thing so that you can improve your skills.

I have observed that, over and over, people enmeshed in coding end up in a kind of weird combination of a negative feedback loop and an echo chamber. It isn't JUST one of these things above contributing to that; it's all of them interacting with each other.

And that's why you get guys very earnestly trying to describe how cool it is to be able to create songs at the push of a button, with zero effort, and just as earnestly not understanding why anyone would actually ENJOY practising something and making the music their own self. That's why you get people who can't tell when a video or image is AI. That's why you get people who do not understand how AI is not at all the same thing as art.

AI is really highlighting the catastrophic failures that have led us to this point. But those failures started a long, long time ago.
aetherograph: Courage the Cowardly Dog typing frantically, a worried look on his face. (Default)
I was able to buy tickets to see the touring Broadway production of Beetlejuice! We saw it on Thursday at a matinee.

Justin Colette is a wonderful Beetlejuice; he can tug your heartstrings with one pure note one moment, and the next one have you in stitches laughing. His energy and delivery and interaction with the audience carried the show enormously well. I know everyone compares to Alex Brightman, but I think Justin Colette successfully steps out from that shadow and makes the role his own! So funny but also there were some moments I wished the audience had picked up on were good for saying "aww" (you can't really do that one by yourself and be heard!). Oh! And I LOVED how BJ knew it was a show but NOBODY ELSE ON STAGE DID, so whenever he spoke to us, the other characters were like, "who are you TALKING to?" XD It was so simple but so funny. I had some wonderful magic moments connecting with the actor via applause or laughter. He was so good!

Madison Mosley has such a loveable Lydia, and her voice is GORGEOUS and has such power, I was reminded of Patti LuPone and Audra MacDonald!! Those trills!!! I was sobbing all through "Home"! Megan McGinnis' Barbara was so likeable, I could really tell she was channelling Geena Davis; and Will Burton as Adam was charmingly Dad-like, I think my favourite moment was his "well, I don't see any cops here" bit, so corny and funny, that was definitely the moment I realised I loved him. Maria Silvia Norris stole the scene whenever she chewed it up, I absolutely LOVED her Maxine Dean--and her Juno! My god! What a Commedia dell'Arte Padrone her Juno was! And yes I mean Padrone! Even the walk! Jesse Sharp's Charles was so perfectly the repressed WASP father struggling despite his Repressed Puritan upbringing, I definitely choked down a sob when he finally said his wife's name, all in a rush like he had to push it out before he lost his nerve! God, GOD!!!! I'm from a WASP family and when I say the REALISM!!!!!!!

Kenneth Posner's lighting design was one of my favourite technical elements, from the projection and animation of the backdrops to the fact that the house's walls were coloured with projected images. I really appreciated the way the sets handled the small Landmark stage too, especially fitting the larger puppets on the stage without seeming clunky. I was sitting in a seat way in the back and one of the purple side lights did get in my face a lot, that's the only critique(?) I have; maybe test the light directions on the wheelchair rows, techs! I really liked how the strobes were set up though, and they startled me with the lightning and thunder every time (in a good way). I also liked how the green lights rotated to point at Beej at key points, that was so cool!

I've seen a lot of theatre from professional to amateur to kids productions all thru my life and I really enjoyed this show and this cast SO MUCH! I wish I could afford to see it over and over!

As far as the Landmark itself, it had good clean bathroom facilities and they seemed big enough for the amount of people using them. I am both disabled and fat and I found the disabled seats easy to access and comfortable to sit in for the long hours, so I could focus on the show itself (it helped that they allow BIG water bottles!). Parking was only seven bucks at an ex-mall around the corner, which was a walk but not anything I couldn't handle.

There was only one bad moment when someone on the other side of the theatre from me yelled 'respectfully shut the fuck up' after the audience went wild for Justin holding a scream a really long time. I was SCANDALISED at the rudeness. Of COURSE the audience goes wild and brings the house down after an amazing bit of breath-control??? How dare you tell us to quiet down!! People started leaving before bows too

Overall, though, the audience was pretty... quiet? Like... too quiet. But that just meant my knowing what I was supposed to do was noticed more by the actors--thank god I was all the way in the back of the orchestra pit, I'm so shy! I like to interact but only via applause or hooting or laughing etc. Just the regular kind of audience noises.

aetherograph: Courage the Cowardly Dog typing frantically, a worried look on his face. (Default)
All of these are free to use and reproduce in any variation as long as you can blazon it the same way (I will include the blazon, or formal heraldic description, under each flag). The shades of colours and the execution of the blazon can all be variant. As long as you can recognise it at the size of a postage stamp OR twenty yards away in the rain, it is correct.

Leather/Kink General:



A field chevronny sable and azure, a pale argent, on it three hearts gules.

I re-arranged the stripes of the leather flag, and made it three hearts instead of one because of the many triplicate concepts in kink: top/versatile/bottom, dominant/switch/submissive, safe/sane/consensual (nb: there is criticism of ssc by the Mad community, as well as those with kinks that cannot be made safe. However SSC is still a part of the community and the discussion about it is a good thing!)

Polyamory/Non-Monagamy



Blazon: A field per fess azure and sable, a fess or, upon it a pi symbol gules.

As you can see, all I really had to do with this one was flip the colours of the fess, or middle stripe, and the pi symbol. Now it has higher contrast and is easier to see!

Transgender Flag



Blazon: A field per pale azure and argent. To dexter, a sea-horse rampant sinister or. To sinister, a butterfly volant gules et rose.

Okay, so I have a Thing about the proliferation of Stripes In A Gradient flags. I hate them, to put it lightly. I think queer people deserve Creatures and Beaſtes. In fact, transwomen picked out the butterfly and transmen picked out the seahorse long before my time! I discovered our mascots as a baby transboy way back in 2007 and was delighted. All I did was 'translate' the sea-horse into heraldic depiction, because I think hippocampus is a fun creature. For the joined flag, I swapped the field colours so the butterfly could be colourful, as butterflies should be, and added pink that way.

Transfem and Transmasc Flag



Transfem Blazon: A field per pale sable and gules, a butterfly volant argent.
Transmasc Blazon: A field per pale azure and sable, a sea-horse rampant.

The individual banners are more heraldic. I took the colours of the trans flag and made the colours basic heraldic ones, and added the black of flux and spring and transformation, as well as adding gold because many seahorse species are mostly yellow, including the most famous and well-recognised one. The sea-horse is facing the blue side to signify transmasc people going from a state of flux toward masculinity. I would have done the same with the butterfly but butterflies are symmetrical!

Non-Binary Flag



Blazon: A field per pale purpure and or, two werewolves rampant dexter; one argent langued or, one sable langued purpure.*

Werewolves are neither human nor wolf, no matter what they look like; they are always werewolves, and shift freely between shapes. Also, my best friend who is non-binary loves werewolves and wanted a werewolf to be the non-binary Creature. Heraldically speaking, a "werewolf" actually is a "wolf with human hands instead of feet, and human ears", so if you wanna get real correct, you could draw it that way too! These flags are not set in stone bc of how they look in this post!

Aromantic Flag



Blazon: A field counter-ermine. A saltire argent, upon it five pine trees proper.

I chose the saltire because it makes an X and that symbolises how aromantic people "X-out" of the idea of romantic stuff. I chose pine trees because my mother, who is aro, loves evergreen trees the most in the whole world; trees are also green, like the green stripes of the flag, so I thought it fitting. Trees are also not living beings that have any kind of pair-bonding, and yet also have sexual relations with other trees to make more trees. I used counter-ermine because it's more visually distinct and interesting. I wanted to also show that these flags can be made into any shape of shield or banner and still work.

Asexual Flag:



Blazon: A field semy pique purpure and sable. A saltire argent, upon it five dragons rampant sable and purpure.*

Another saltire, this time because asexuals do not interact with sex in the usual way or at all. Piques (i.e. the spade symbol) and dragons because in my long years in the community, I have seen these two symbols used the most for our community. Having a semy means I can include both the pique and the dragon without cluttering up the flag. This one is probably the most intricate and difficult to draw, but again, the dragons can be as detailed as this or can be like, trogdor or something. As long as they're recognisably dragons with four legs and two wings, and only one foot on the ground, you're good!

Intersex Flag (Distressed/At War)



Blazon: A field or per chevron purpure. A pile to base purpure. Two gouttes de sang, to base a unicorn rampant sinister or.

Ok so the intersex flag as it stands, the field or with the annulet purpure, is a perfectly fine heraldic flag. But the thing is, I’m angry about a few things that are going on with intersex people and have been going on with them for some time. So I made this “in distress” version of the flag, because we are at war!

So the two drops of blood are because intersex babies and children are mutilated to force them into the binary. The gold unicorn rampant is because we are simultaneously denied ambiguity by the medical establishment as adults, forced into the binary by way of being denied, “you’re not REALLY intersex because your genitals don’t look ambiguous enough”, when the standard for “ambiguous enough” is never met by judgement of the doctors–to them, a truly ambiguous enough, truly intersex person is imaginary, like a unicorn. And the chevron points up because we are fighting and our rights are on the rise if we stand UP!

Bonus: Monsterfucker Flag:



Blazon: A field per saltire tenné and or. A saltire sable.

The X is for Xeno, or 'strange', and X is also used for the Unknown, as is the black of the void. The orange is because Halloween is a monsters' holiday. The yellow is for joy and both moon and sunlight, for monsters encompass all possibilities. Yellow is also because I don't see it that much in pride flags, so using it here makes it distinctive.

Orange (Tenné;, which can also be depicted as tan or brown) is, like pink (rose), a very late addition to heraldry—as indeed it was to the English language!

Edited to Add (2 June 2025): I have not designed the lesbian, pan, or a few other flags because I am not in that group and a group member should design that flag. I am willing to help any that want to design such a flag to follow heraldic rules of grammar.

I have not designed the bi, genderqueer, or other flags of groups I AM in simply because either I have not had the time yet, and/or I haven't decided on or found out a good Creature to be our mascot. I am as always leaning toward Mythical Beaſtes not much seen or used, such as a peryton or a pantheon. I think perhaps a water- or air-based creature ought to be the one for genderqueer or genderfluid, as water and air are the mutable and changeable elements of transformation and flux.
aetherograph: Courage the Cowardly Dog typing frantically, a worried look on his face. (Default)

As the month of March passes into April, I would like to challenge my fellow pagans to do something.

Look around you.

Look around where you actually live. What animals actually live there? What do the seasons ACTUALLY do where YOU live?

Four seasons, january being winter, and the presence of oak or deer or rain is dependent on the biome where you live.

I spent my early life in a desert, where the idea of snow and frost was foreign. The only snow was up on the mountains and you went and visited it and then came home. And yet I was told we were celebrating warmth in the winter during solstice, as though the weather wasn't clear sunny skies and 80 degrees Fahrenheit! As though April was a time of rain and new life when all that happens in January, for about two weeks.

The four season agrarian idea of the year and the seasons, the European idea of forests with certain animals, the Northern Hemisphere idea of winter in january and summer in june... these are all colonising every single book or guide or conversation about pagan holidays I have ever seen.

But we are supposed to celebrate where we are, the land where we are, our home and our reality.

I am not a farmer. Why should I celebrate farm related holidays? If I live in a desert in California, or a tropical marsh in Georgia, why can't I celebrate those seasons, those plants, those animals? Why am I hanging holly and mistletoe in December when cypress and palm are the plants in my backyard? You know?

When I realised I didn't have to conform to just ONE location's seasons, when I realised it was more important to celebrate where I am, a lot of the wheel of the year stuff stops making any sense and seems kind of oppressive.

There are so many beautiful biomes in the world, from the cloud-forests of Aotearoa, to the deserts of Mojave, to the Okavango's ephemeral floodplain, to the salmon-fed rainforest of Sequoia, the everglades of Florida, the mangroves at the edge of the world, and, yes, the bogs and woodland of Europe too. Even if you live in the middle of a city, that too is a biome, and a rich one if you pay attention!

But look around you, look around at the sister-plants and brother-animals around you. What is happening through YOUR grove's year?

Smash the year wheel if it doesn't accurately reflect your surroundings. Make a new one that celebrates where you are.


aetherograph: Courage the Cowardly Dog typing frantically, a worried look on his face. (Default)

Punk Stuff: Repair Furniture

So your office chair is sinking no matter what you do, or the wheels snapped off, or the cushion went flat, or your cat tore of the upholstery?

All of that is fixable--IF you have furniture made of wood. The way you can tell is flip the chair over. Do you see some staples or some plastic? If you see staples, there is wood under there and you CAN repair this creature. If you only see plastic, I'm sorry but that chair was manufactured as trash first and a chair second.

Tools for tearing off the old upholstery and putting new upholstery on:

  • Staple gun
  • Staple remover for staple gun staples (this is a specific tool you can't use an office staple remover for this, it isn't strong enough)
  • Pliers
  • Staples for the staple gun
  • Fabric scissors
  • Utility Knife

Materials:

  • Fabric (heavy)

Step one: Flip the chair over, find the staples and start removing them. Do not fuss about the weird tissue-like stuff covering the bottom of the chair. That's fine to rip, it WILL rip, it's fine don't worry about it. This will be TEDIOUS. You may need to use pliers for some of the difficult bastards.

Now, if you WANT to make this a little easier, you can disassemble the entire chair--take the bolts that hold the chair lever and lift and rolly legs off, take off the bolts that hold the backrest on, and now you can work on the chair seat (or backrest) separately. But remember to take photos of the chair before removing the bolts, so you know how to put it back together. And keep track of which bolts go where, put them in like a section plate or something.

Step two: remove the fabric. At this stage you can also replace the foam. This will require 1. foam and possibly 2. a tool called a Hot Knife. You can also use 3. batting if you want to be Fancy.

Step three: lay the old fabric out on the new fabric and trace it on the wrong wide of the new fabric with a marker. Sure you could use tailor's chair or smn but I can SEE a marker a lot better.

Step four: Cut that new fabric shape out.

Step Five: Put the new fabric on the chair and staple one (1) staple in the middle of EACH side. Not a corner, a SIDE. It's best to pick the backmost side, the one that bumps into the backrest cushion, as your first staple, then the frontmost, then the left and right.

Step six: Start stapling around the edge, pulling the fabric snug but not crushing the cushion foam too tight. It will pucker on the bottom part, that's ok.

Step Seven: If you have disassembled the chair, re-assemble it.

Boom, done.

If you need to replace the hydraulic lift, that's a bit complicated but a new lift is like $20! There's also a special set of tools you'll need to remove the old lift, they're under $20 and you can help your friends or donate the kit to a maker space or repair OTHER chairs. And you just take the chair off the old lift, pull it off the rolly legs, and put the new one in, and set the chair on it, and bam, done. Lifts just sit there! They don't need bolts or nothin.

If you need to replace the rolly legs bc one snapped off, you can do that too and replacement legs are like $20. You'll have to just flip the chair over and pull off the old legs, which may require some help or a mallet. The new set of legs may also come with instructions! I have never done this one, but I have put many chairs together and the rolly legs aren't really bolted onto the lift at all, just stay together from gravity really.

If you need to replace the wheels, THAT is a bitch. That is a bitch. Pulling the old wheels OFF is the hard part. Putting the new wheels on is p easy though, and they make wheels that won't rip up carpet or wood floor too! Some of them even light up!

If you want to repair a SOFA or something, that can be a lil complicated and involve SPRINGS. Springs are a sign of Good Quality Furniture though, as is a wooden frame.

Anything without a wooden frame is designed to be trash. If it has a wooden frame, though, you can repair the hell out of it. New springs are cheap, so is twine, so is foam and batting; really, the most expensive part is the upholstery fabric, and caster wheels if you're getting caster wheels. You can put legs and/or wheels on most anything, btw.

And you know, repairing your own furniture is a lot of fun! You can customise it, you can get sth cheap as hell and fix it up! It's not a garage craft that requires a helluva lot of strength or ability either. I do get tired and need help with some of these steps, and space them out; but my joints is real fuckened and I can still fuck with an office chair or repair a sofa spring.

Just remember: wood and especially soft things like fabric or foam can harbor bedbugs & fleas. Do not shop on the curb unless you have a bug oven big enough to cook them dead!

 ETA 2 Feb 2025:

By the way, sources of wood for repair:

  • Pallets, these are usually free but they're a lot of labour to take apart and make into useable wood. I know of a guy who makes everything from pallets though, have a look at his channel, he shows exactly how much work it is to make a pallet into useable wood.
  • Old furniture, particularly TABLE TOPS, are a great source of good-quality large pieces! I learned that from one of my furniture guys today.

And yeah, watch Furniture Guys on youtube to observe how much work things are, what tools are needed, etc. I've learned a lot. I tend toward channels that have minimal or zero talking, where all the explaining happens in captions or not at all.

AT Restoration is another of my fav furniture guys, but I gotta give props to the ORIGINAL Furniture Guys, Ed Feldman and Joe L'Erario! I grew up watching their show on TLC back before there was any kind of HG Network or anything like that, when home improvement shows were just Bob Vila and Home Time and then these comedic characters, Joe and Ed. They're the only furniture guys I want talking in their videos.

aetherograph: Courage the Cowardly Dog typing frantically, a worried look on his face. (Default)

In January, I may be on a panel discussing how to countenance enjoying the art of bigoted artists. On that panel, I will point out the facts as I know them: that there is a reason for Innocent Until Proven Guilty, that As Long As A Man Is Alive He Can Change, and so forth. Pillars that form a just society, a non-fascist society, a society that does not slide into mobs and censorship and purity culture. It will make a lot of people very angry and they may not listen, and they will certainly jump to that island so frequented in the past few years, Conclusions.They will likely conclude I am bigoted because I am defending the humanity of bigots, and not saying they should be put to death and their works burned from public memory. It is frightening to accept this, but I cannot change it.

I may not even be on the panel, anyway. But I am of a nature that I must prepare, and even if I am not on this panel, that is still something I must say.

We must continue to allow ourselves and others to for example discuss Harry Potter, to discuss Bill Cosby’s large body of work, as we discuss Kipling, or Shakespeare, or any of the other dead creative people whose work contains bigotry, whose actions included crimes. And the discussion should not begin and end with apologies and lists of their crimes, or listing off only the bad things we can find in their work. That is not a discussion, that is a reading of sins and an invitation to condemn only. We cannot simply refuse to mention the positive aspects, that is disingenuous and it is censorship. There is no such thing as a bad or good person, there are actions. A person is a person, no matter how much harm they have done. The persons who have raped me, who have physically harmed me, who have abused me—they are still human persons, and still deserve food when they are hungry, and medicine if they are sick, and coolth if they are hot. They are still human beings who are capable of and have made art, some of them—and who have had helpful influence on other people, some of them.

It is, for some people, for the short-term, very emotionally satisfying, to hate. It is even emotionally satisfying to hate in a group with other people. But it is dangerous, to get addicted to righteous anger. It makes you prone to want an excuse to feel it, to unleash actions fuelled by it and that fuel it. It is very comforting to believe the world is simple, that people are simply one thing or the other; but it isn’t true. The truth is, people are complicated, and the world is complicated, and people who do horrific things can often then turn around and do wonderful things. And often, they do both at the same time. It is not human, to hate—it is specifically dehumanising, to be taught to hate, to hate; we must dehumanise another person in order to hate them, and we dehumanise ourselves by hating other people.

And another thing? There is no such thing as moral or immoral art (because, let’s be clear, that is what ‘good’ and ‘bad’ mean); there is only art. The only standard you can judge it by is whether it was well-executed or poorly-executed. Doing anything else is one step toward censorship. Yes, even art that is bigoted is still art. You cannot say it’s not art, or that it shouldn’t be available, because that is censorship, and that is the tool of fascism. There is not a ‘correct’ way to censor anything, there are no ‘correct’ things to censor. Art should not be censored, period. As soon as you make a category of ‘don’t’, you invite yourself to put your enemies, or things you just dislike, or things that discomfit you, into that category. There is no exception to this, this is what always happens when you begin censoring art.

I am fond of a little tv show from the seventies and eighties called Rumpole of the Bailey. It is about a defence lawyer who never pleads guilty, and the show does not pull punches about what that means—Rumpole defends people accused of hate speech, of rape, of blackmail, of everything uncomfortable and everything we would like to believe anyone accused is automatically guilty of. But Rumpole always says the Golden Thread of Justice, the foundation of the justice system as we know it, is Innocent Until Proven Guilty. In other words, if you accuse someone of something, the burden of proving it is on you, the accuser. Accusing someone is easy; proving your accusation is hard. This is on purpose. This is because it is better to let a guilty person go free than falsely convict an innocent person. Doing otherwise is going to get a lot of innocent people slaughtered for increasingly minor accusations with fewer and fewer pieces of evidence until we’re back to exactly the kind of ‘justice’ enacted by witch hunts, which were largely what happens when people

  1. want something you have
  2. want someone to blame when there really isn’t anyone to blame, or
  3. just plain don’t like you.

So no, we can’t go around simply believing every accusation all the time, no matter what the accusation is. We must demand evidence, every time, no matter what. And if we only apply these rules in court, that isn’t enough. “The Devil is in the details” as the saying goes—we have to apply these principles in small situations as well as large ones.

Another thing Rumpole says is “The law is like a spider’s web, it catches the small flies but the big ones break through. Just ask any politician.” and “The trouble with justice is that it’s not always just. But it’s the best we’ve got, so we have to make the most of it.” So this is not to say he doesn’t have a sense of right and wrong, or that the writer and the stories don’t deal with reality as it is, where people lie and cheat and get away with it sometimes. Even so, the burden of proof always rests on the accuser, not the accused, or there is no such thing as Justice at all.

aetherograph: Courage the Cowardly Dog typing frantically, a worried look on his face. (Default)

I recorded a demo reel showcasing some of the voices I can do! I've long been told I should do something about how decently I can play with my voice, and so here it is! Check it out! I've included transcriptions beneath the cut below.

Transcription )

Credits:

Nolan, Christopher. Dark Knight. Warner Bros. Pictures, 2008. 152 minutes.

Pratchett, Terry. Monstrous Regiment. New York: Doubleday, 2003.

Priestly, John. An Inspector Calls. 1945.

There was ad-libbing but not enough to note.

aetherograph: Courage the Cowardly Dog typing frantically, a worried look on his face. (Default)

The Secret Life of People With High Self-Control: It's Simpler* Than You Think


*nb: Changed 'Easier' to 'Simpler' to make the point of the article clearer and less clickbait-y.

That feel when one of your disabilities helps with one of the New Shiny Mental Illnesses Invented By Modern Society: the reason I don't 'mindlessly scroll social media on my phone' is because that physically hurts. I learned VERY early in my life from my mom, who also has deQuervain's, that managing the pain is largely AVOIDING activities that trigger it, like scrolling and other tiny, repetitive mouse movements.

I didn't wholly avoid Social Media Mental Illness, because social media was desktop-based for a while, and I did ruin friendships because of how social media preys on your brain, and the parts of your brain it preys on, are particular spots where I'm more vulnerable than others, particularly when it comes to emotional regulation-something traumatised people do not do very well, particularly before therapy, as I was when I first got on social media. However, I also didn't get any reward, for those same reasons (I don't recognise anything but direct private conversation as 'attention') and while my history of remake-delete-remake is spotty and repetitive, I never ended up putting social media on my phone , and never ever learned the phone habits, because of the simple fact that I cannot use my thumbs for anything ever, and generally can't do repetitive tiny touchscreen movements with my fingers, because it immediately begins to cause agonising pain. I had tiktok very briefly because I discovered cosplay, but after it became clear people didn't make friends there, the whole thing seemed very frustrating-you can't talk to the cosplayer, they only respond to other videos that entertain them, and I don't like making videos because that's not the fanwork I make-so I deleted it after only a couple of weeks.

This article is from someone who gorged on a whole lot of academia about the topic, and mostly, people with 'good self-control' recognise what tests it at an earlier stage and avoid the situations, places, etc that they know the triggers are likely to be-installing ad-blockers, not making social media counts at all, etc. This is in keeping with the REAL way to control anger as well: you learn what anger looks like before it becomes anger, when it's just a feeling of slight irritation or even knowing 'going out to do groceries overstimulates me and that causes irritation with people to come easier, so I need to mitigate the overstimulation by wearing headphones at the grocery store and being alone for a while to recover when I get home' or 'I am feeling irritated by everything, that means I need to walk away from this conversation and disconnect for a bit'. Basically, the only thing that is going to help you learn any 'self-control' is the same thing that helps you learn 'anger management': catching it before it snowballs into 'resisting temptation' at all.

Which, of course, means practising real mindfulness-- not 'uwu imagine your thoughts are leaves on a stream' 'just take deep breaths and empty your mind' nonsense*; but what you learn in DBT classes: spending a lot more time with your self, sitting with your uncomfortable feelings without judging yourself immediately as 'bad' and running away screaming.

We've looped right back to Vincit qui se Vincit/Know Thyself, like we've really just got hard data backing up these sayings now. You have to know yourself and know what helps you before you can make any progress at all. And that requires being uncomfortable and spending time with a person that a lot of us hate so vehemently that we fill our lives with distractions so we never have to be alone with this person. Which is sad. That's sad. And that's not something to make haha funnysilly jokes about all the time instead of like, confronting or acknowledging as the one thing you gotta do before you can feel better about anything in any way.

Γνῶθι σαυτόν

Know Thyself





*I specifically say meditation of the 'deep breaths and empty your thoughts' is nonsense because that doesn't work for people with Symptoms and is in fact specifically going to make some people with some Symptoms worse, and I have many of those Symptoms.

aetherograph: Courage the Cowardly Dog typing frantically, a worried look on his face. (Default)
Gonna try and use this blog for my professional presence online as a writer. Not sure what to put here yet, but stay tuned.

Profile

aetherograph: Courage the Cowardly Dog typing frantically, a worried look on his face. (Default)
aetherograph